Monday, November 29, 2010

Idle Hands and the Devil's Workshop: Part 2

Consider this the sequel to my cadre of artistic endeavors.

So I held a Art Contest Giveaway on my Twitter Zach for Zombies a while back and Geof of The Man Cave won. His prize was an original piece of artwork of anything he wanted. After spending a day drinking heavily watching sports he came up with my task; to create a wrestling match between the HARD ROCK ZOMBIES and the band KISS with JAWS (yes, the shark) as the referee. This death match would also have Pinhead of HELLRAISER, Freddy Krueger of NIGHTMARE ON ELM STREET, Jason Vorhees of FRIDAY THE 13TH, Ash of EVIL DEAD fame, and Mike Myers of HALLOWEEN as the lumberjacks outside the ring, poised to annihilate anyone that gets tossed over the ropes. Not a small task to accomplish by any means.

I started a few sketches in pencil on Bristol board, trying to figure out the best perspective to include all of these figures in one unified space. I knew the angle and the size of it all would determine how to proceed. I ultimately decided to tackle it straight on and use that very same angle. I went in after some sizing and started to add the details that would make each figure instantly recognizable.

Now I could understand the state of mind Geof was in when he thought this up, or I at least tried. I decided to use watercolors to give it a hazy, pseudo-comic book vibe. The trickiest part was depicting each character in it's limited scale and achieving each look that makes them so iconic. Watercolors are fairly unforgiving, but I enjoy working with the controlled chaos of how each color will ebb & flow. I then outlined different parts in Sharpie and fine point pen.

The piece is gritty and pretty ridiculous. Despite the challenge of creating it and the time it took, it was a lot of fun to experiment with such a mash-up of Geof's favorite films and influences and deliver a worthy prize. To do it again, I may would have tried acrylic or maybe even crayon.... You can check out Geof's unveiling post with video at The Man-Cave by clicking here.

John Squires the beard and brains behind Freddy in Space commissioned me a while back on our field trip to Coney Island to see the Bruce Campbell Burlesque Tribute Show. He wanted a piece of horror themed artwork to decorate his new homestead that he had just moved into with his lovely girlfriend Jen. Johnny wanted a piece that celebrated the Clint Howard schlock fest known as ICE CREAM MAN. I said yes, of course and the wheels started to turn.

In researching how I wanted to craft this piece I remember I had the seat from an old wooden chair from college. The chair broke, but in such a way that the seat came out free and clear and I kept it knowing I was going to have to create something. It wasn't until John's request that I knew the genesis of this project. I would now embark on carving my first wood cut ever.

I used my girlfriend's carving tools to etch out a picture of Clint from the cover art of the film. I knew that I would have to think backwards in two ways with my work. 1) Whatever I carved away would be the negative space left behind, almost like drawing in reverse. 2) Anything I would use for this would be a reverse image when I pulled any prints off of it. Both of these things are something that's a lot harder to grasp in actual execution.

I got the carving to just about where I wanted it. The tricky thing with the seat was that I was trying to keep the image centered in the circular recess of the chair seat, you know the part you put your ass in. Then covered a small piece of cardboard I tore from a shipping box in smoothed aluminum foil and taped the edges underneath. I then squeezed out a quarter size of Speedball printing ink and used a small hand roller to start an even flowing layer of ink. You can find the ink and roller at just about any art store, and the ink has the same consistency as acrylic tube paint. Then I took the roller with an even coat of ink on it and rolled onto the wood. I had to be mindful of the divot, and I would suggest next time of only using a a FLAT board, but I digress. I have never pulled prints before, so there's a few valuable lessons I learned. The heavier stock paper you use is a bit more forgiving for beginners. I had a thinner piece tear on me as I was pulling it off. The thinner stock is a lot nicer for framing so there's the draw, it just requires a bit more patience and a steadier hand. You can find all kinds of specialty paper for printing at the art store as well. You don't want to go overboard with the ink as it will come out gloppy and too dark. Too light with the ink and it doesn't come out all the way. Some artists chase after a "Ghost Print", which is when you pull one print and have enough residual ink left over to simply apply another piece of paper.

I ended up pulling 9 prints in total, my favorite number. I decided that I was going to leave 3 as they were pulled and I decided to alter the remain 6 with spray paint and Sharpie to add a bit of variety.

 The 3 I left unaltered are labeled #1-3 and signed. The others are all unique one of a kind variants. the last one actually has a hole in it that I plugged by gluing my business card on the back side as a way to double sign my work. Each of the altered prints are titled "Eye Scream #1-6" respectively.

Once I let the ink dry on the wood cut, I wanted to create a truly one and only piece. I was effectively going to destroy my plate, ensuring that no other prints could ever be pulled from it. I was going to paint over the seat in acrylic paint, which dries to a almost hard plastic. I set about building the flesh tones and then adding the other elements from the movie cover art that wasn't incorporated into the carving.

Here you can see the paint filling in the crevices from the recesses of the carving process.

I had added the lightning and a graded blue background to make the image pop. The initial idea was to title the piece in red, with the drips from the bloody ice cream cone feeding into the letters, but I scratch that as I felt it would get lost in translation. I instead opted for a lime/mutant green that I wrote in with a paint marker, a graffiti artists best friend. The green, I feel, really adds a touch of late 80s sensibility to it. The other issue I was having was the eyes, which I went back over with white acrylic. 

Here's the finished piece, outlined in sharpie which proved like driving over road bumps when drawing the borders and carved areas. The title is smeared and drippy on purpose with a festering look about it. The whole project was a lot of fun to create, and I feel like I pushed myself into a new medium to deliver what was expected of me. This was my first commission piece so I felt obligated to go above and beyond. This is meant to be hung on the wall and Johnny also received all 9 prints with this piece.

You can check out Johnny's post with photos at Freddy in Space by clicking here. Rumor has it that he be holding a giveaway of his own....

Come back soon as I'll have even more projects to share.

Sunday, November 28, 2010

Idle Hands and the Devil's Workshop

I've been unemployed for a little bit, but the time has afforded me the opportunity to craft and generate a lot of artwork that has been swishing around inside my head as of recently.

A while back Carl Manes of I LIKE HORROR MOVIES won a contest I held. His prize an original piece of artwork done by me. His request; Dario Argento's OPERA with a comic book vibe.

For the piece I used fountain nibs and ink to draw on Bristol board. I used the black ink with water & brush to achieve the various shades of grey. I used paper masking tape for the mouth restraint and to hold the nails under the eyes. I used actual picture frame nails and painted my "blood" on with red acrylic paint. The rope is standard twine I found at the Dollar Store and simply glued into place with Elmer's. This is the most iconic image of the associated with the film so I wanted to toy with it slightly without losing what die-hard fans would instantly recognize. The fine points of the Nibs really allowed to capture the eyelashes and the eyebrows. It gives it a sense of fluidity in my opinion, though it was quite the challenge to work solely in inks. I framed the piece in a simple certificate frame I found at the Dollar Store as well. All in all I'm quite pleased with it and so is Carl. Proof positive you should read Z for Zombies and follow me on Twitter.

The lovely Hannah Neurotica who is the brains & beauty behind Ax Wound Zine and a crusader for Women in Horror Month is looking for support in spreading the word about her efforts. I was happy enough to oblige by making up a flyer to show my support.

I clipped out old postcards, comic books, horror magazines, and sex ads to cut & paste a punk rock style band flyer glued on a sheet of typing paper. I outlined it in paint markers and Sharpie to add a bit of pop to this collage. You can find out more about details of making your own flyer by clicking here.

If you haven't heard of the Soska Sisters or their cult classic in waiting DEAD HOOKER IN A TRUNK then you're seriously missing out. I am pretty much a big fan of everything that they do and I only wish I could give them more of the exposure that they deserve. That being said I decided to make my first attempt at fan art. CJ Wallis is like the Oz behind the curtain and I decided to show some love to one of my favorite characters from the film, Goody Two Shoes.

I drew this up on Bristol board in pencil and then went in watercolors. I tried to grade variant with colors and push myself in controlling the flow of the materials I was using. I kinda feel it has a distinct 80s album cover vibe to it all. I outlined it in Sharpie and went in with a fine point pen for the outline details. Then I went in and erased the pencil outlines to give it a softer, more blended look. The ribbon is actually a separate piece of paper I cut out, water colored, and glue on with a signature piece of his dialogue. The hardest part of the piece was recreating the signature style font of the DEAD HOOKER IN A TRUNK title. It's a broken, disjointed style that's pretty difficult to replicate though I tried to recreate with Sharpie and a fine point pen. It was a lot of fun to create and I hope others follow suit with their creations of fan art. I'm sure it will come pouring in with the release of their new feature AMERICAN MARY.

Stay tuned as I have more goodies to upload and share with you. I hope you enjoy what you see and be sure to return for an exciting announcement.

Saturday, October 30, 2010

I Keep It Underground - Miners & Minors

So I recently had the opportunity to flex my Special Effects muscles with a video shoot for The spot was directed by Noah Emmerich, who you'll probably recall as Jim Carrey's best friend in THE TRUMAN SHOW.

The premise was to shoot a low-resolution video that would match the rescue footage of the Chilean Miners that was broadcast the world over. I don't want to spoil it, so here's the video.

Additional Credits Include:
Director & Writer: Noah Emmerich

Executive Producer: Dane C Reiley

Producer: Arthur R. Greene

Makeup/SFX: R. Zach Shildwachter

Production Designer: Mac Pohanka

Featuring Rich Giraldo, Javier Marquez, Albert Pero III, Ralphy Guillen, Victor Ramirez & Luis A. Lopez Jr.

Here's some photos of the shoot that include supplies and a better look at my handiwork.

Most of the effects was just mixing up a copious amount of blood which I did with my old school Karo Syrup formula, because of our limited budget. I do wish I would've went with stage blood that wouldn't have been so sticky and a bit easier on the clean-up. The director wanted more of a crazed hunger look, with taunt skin and a dirty look, different than full on Zombie, so interpret the horror of the video as you will.

Another fun thing I was able to do was helping my buddy's wife at her school. She teaches a group of children that are deaf and hearing impaired. I was asked to come into the class and demonstrate some make-up effects just in time for Halloween. I had some left over latex appliances that I bought from the dollar store and brought in my small make-up kit. I wanted to show the kids how they could apply the stuff from the dollar store themselves and not be afraid of doing it themselves. I explained about latex allergies and behind mindful of their subject if they ever put make-up on someone else. I explained that scary movies are really just smoke and mirrors, but they still were apprehensive about fact colliding with fiction.

One kid was picked by the teacher to receive a ninja star that was made to look like it is sticking in the skin. These were all cheap effects you can really find anywhere, but people often gravitate towards masks, often because they're unsure of how to create the effect. It was a simple application, a coating of liquid latex to act as glue, adhering the ninja star, a bit of my foundation to blend the edges and a squirt of fake blood and VOILA!

The other things I did were some paint on cuts, and latex peels which consists of applying a layer of latex to the skin, letting it dry, and picking at it until it resembles sunburn/blisters. The big hit was plain ol' nose putty. The kids had a blast making moles and warts all over their faces. They even gave me one on the forehead. It was a great time and I think they all began to imagine the limitless possibilities for this Halloween. The whole point was to show them fun and realistic things they could do on their own and afford.

I received a message the following day that NONE of the kids washed off their make-up when they came to class the following day. They all wanted to keep it on for as long as they imagined they could make it last. I can only imagine how dinner that previous night went with their families.The other thing the teacher told me was they had to confiscate all the markers from the kids because of me. I was perplexed and asked why. They had taken to drawing tattoos on themselves like me rather than doing their class work. These kids have a bright future.

Living on a Dream

So the project I wrote a pilot for has officially launched its website. You can check it out at There you'll see photos of our cast and find out all kinds of other goodies.

We also launched a KickStarter campaign to help with the budget. As of today it's already 68% funded! Check it out by clicking here and donate. You'll receive some awesome prizes for your contributions.

Even if you can't give, check out the videos and let me know what you think.

Thanks for your support!

Sunday, October 10, 2010

What's New to Keep from Feeling Blue

So I haven't had as much time as I wish I had to finish some current art projects or even start some new ones that are swimming in my head. This is especially upsetting with the Season of Halloween upon us. I have to at least promise myself a kick ass costume.

So what's been eating up all my time? Well I wrote a television pilot a while back with a friend based on someone else's idea. It's called ON THE VERGE. It has a cast and most of a crew, but we're still locking down a budget and aim to shoot before the New Year.

Here's a Teaser Promo that I wrote and directed. This is really my first attempt at directing since college, and I'm in no way a film school kid. I hope it does its job enticing you to want to know/learn/watch for more.

Here's another Promo that shows a bit of the characters out in the Big Apple. I wasn't involved in directing this one, but I do make a cameo at the 0:10 mark...

Thursday, September 2, 2010

Remembering the Past to Build a Future

I know it's been far too long since I've posted any new work. I have several projects in various stages of completion. I actually had a slew of new images to post but a fried motherboard on my laptop ate all those images. Instead I present to you some recently unearthed images of past projects. Some personal, some gifts made for friends, and some for the films I've worked on.

I hope this can satisfy your craving for fun artwork while I sort things out and deliver more goodies on a more regular schedule.

Thanks for your understanding.

Thank you, come again!

A Graffiti Mural from my days running with Eykre and Kres - Mad Respect

Zombie Jesus - Reappropriated Wall Relief of Found Object

A Little Closer
Heart Breaker - Acrylic Paint Marker on Soup Lid

From the film QUARTER LIFE CRISIS - Get to the Choppa! - Arcylic Paint and Sharpie on Particle Board with Digital Image

From the film QUARTER LIFE CRISIS - This is Hip Hop - Oil Bars and Sharpie Markers on Cardboard

Come to the Darkside - Acrylic Paint Marker & Spray Paint on Plexi Glass
Welcome to the Matrix, the Dot Matrix

Zero Tolerance - Paper Maiche Model over Copper Wire painted in Acrylic with Digital Image in Glass Jar